Abstract
Shooting people, murder and war are inherently violent activities to which the concept of rage might seem inextricably linked, but deeper examination reveals levels of complexity. Despite what we often perceive, soldiers are actually trained to operate in a calm and dispassionate manner. This is especially the case for military snipers, who perform the role of hiding in the battlefield, waiting for the chance to take single aimed shots to kill an unsuspecting enemy. My study examines the concept of rage and compares the level of rage in the film American Sniper (2014), set in the Iraq war with that of Enemy at the Gates (2001), set during the siege of Stalingrad in the Second World War. I argue that a form of controlled rage can be seen in the world of the sniper, and I set this against the acceptance of violence in an America where mass shootings appear to be an ever-growing expression of individual rage.
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