Abstract
How is war and its consequences reflected in the theatre? How, in particular, has the Georgian theatre reacted to war, and to what degree does its presence impact Georgian theatre directors and audiences? When and under what circumstances do theatre companies stage plays on the theme of war? Since war never loses its relevance for Georgians, new texts are written continually on this topic and subsequently turned into plays, primarily by young directors. These productions grapple with the experience of war and its impact on the nation and its people, who are radically transformed by their individual histories. In addition, sometimes, they help to reveal hidden passions.
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