Abstract
In his methodology as well as his political thought Benjamin remainsfaithful to the principle to proceed “always radically, never consistently”. Therefore,the greatest challenge for a contemporary city researcher inspired by Benjamin is tooperationalise his materialist methodology. Benjamin’s anthropological materialismcannot be reached within the fixed limits of any discipline, but rather places itself“on the crossroads of magic and positivism” (Adorno); the dialectical image is nota tool of his methodology but its culminating point where positivism turns to magic.To reach this point, Benjamin conducts perceptive and analytical experiments thatcan be treated as dialectical études, exercises in seeing. The paper examines some ofthese techniques, exploring their philosophical context and testing them on a contemporaryexample: the Ernst-Thälmann-Monument in Berlin.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.