Walls of history: the use of mythomoteurs in Northern Ireland murals

Abstract

This study set out to discover in what way murals may possibly reflect the history of the Northern Ireland conflict. The findings suggest that each conflict group's usage of imagery reflects the reality and the very complicated nature of the Northern Ireland conflict which crosses religious, cultural, and political fault lines. It is also apparent that the symbolism of murals creates its own invented versions of history. This is evidenced by both protagonists' usage of myth-symbol complexes and mythomoteurs in order to legitimatise their ethnic origins, religious and political ideologies. It is also axiomatic that many nationalist murals reflect O'Brien's notion of sacral nationalism. The symbolisation used in some Protestant/loyalist murals reflects Old Testament themes, whereas some nationalist murals reflect New Testament themes. Moreover, there is a profusion of murals reflecting diabolical enemy imagery, sanctification/demonisation imagery, militaristic imagery, ethnic victimisation imagery, ego of victimisation and blood sacrifice imagery in chronicling historic victories, rebellions, massacres, suffering, and imprisonment.