Abstract

In the last twenty years, there has been a boom in scholarship on Charles Brockden Brown, most of which connects his work to social developments occurring in the early American republic. Brown scholars often read him as a man ahead of his time, as his writing addresses, hints at, or even inverts social mores. The scholarship around Brown’s novel Edgar Huntly has concentrated on how the narrative addresses westward expansion and white settlers’ relationship with Native Americans or the ways in which Edgar Huntly connects to Revolutionary society. Kate Ward Sugar engages with this narrative in a different way, exploring the dynamic of sleepwalking as a way to address male homosocial bonds. Scholars, though, continue to side step the eroticism within this narrative and the implications of somnambulism’s status as a mental illness being tied to an unnamed desire. This paper addresses this gap in the scholarship by integrating a queer and historicist reading of Edgar Huntly to suggest that Brown’s use of sleepwalking is done to reflect a social fear of the homoerotic. It is the goal of this paper, then, to explore Edgar Huntly as a narrative that weaves the danger of sodomy to sleepwalking, suggesting an implicit relationship between madness, illness, and same-sex desire. This reading of Edgar Huntly thus not only expands the scholarship on Brown, but more importantly the history of sexuality by pointing towards a social development currently unexplored by scholars of the early American republic.

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