Abstract
This article discusses Zangwill’s Spitalfields, a mobile app with content curated, written, and produced by Nadia Valman, Soda Ltd (developer) and the Jewish Museum, London (archive collaborator). The app uses Israel Zangwill’s novel Children of the Ghetto (1892) as a walking guide to the Jewish immigrant subculture of Victorian Spitalfields, east London, which the novel describes at a moment of critical change. Zangwill’s Spitalfields exploits the app’s potential for bringing together a range of digital sources including archive photographs, museum objects, and oral history recordings with the user’s observations of the physical environment, to produce an experience that is both immersive and multivocal. Mobile digital technology has provided a new interpretive context for the Jewish Museum’s collection, and animated previously unmarked monuments in Spitalfields. By drawing on the user’s experience of walking in present-day Spitalfields, the app also intervenes into a historiography increasingly shaped by nostalgia.
Highlights
Overdevelopment, unaffordable housing, and the destruction of historic buildings are provoking an unprecedented flare-up of public protest in London’s East End
Whereas in the 1970s, the spaces where Spitalfields’s Victorian population of immigrant Jews worshipped, worked, and studied seemed destined for total erasure, they have taken up a starring role in the story of the area’s spectacular architectural and cultural heritage.[4]. It is still far from clear what is at stake in battles over the preservation of the past in the East End
In 1892, when Israel Zangwill published his groundbreaking novel, Children of the Ghetto, a detailed fictional ethnography of Jewish immigrants and their offspring in Spitalfields, the area was experiencing a period of rapid transformation
Summary
Overdevelopment, unaffordable housing, and the destruction of historic buildings are provoking an unprecedented flare-up of public protest in London’s East End.
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