Abstract
W. E. B. Du Bois has occupied a problematic place in the history of twentieth-century American culture. As recently as 1989, Arnold Rampersad could describe him, with only slight overstatement, as neglected, the subject of only a few partial biographies (vi). Although several editions of some of his work had appeared-including Herbert Aptheker's comprehensive collections and the fine volume of selected works in the Library
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