Abstract
The article focuses on the construction of time and narration in The Third Part of the Night directed by Andrzej Żulawski. By reffering to Gilles Deleuze’s film theory and Miroslaw Przylipiak’s typology of subjectivization techniques, the author attempts to indicate the variety of narrative techniques supplemented by the male protagonist’s point-of-view and mind images. This paper also contains neoformalist analysis of the two selected film scenes whose visual side may be considered as representative to The Third Part of the Night and — from the very first shots — consistently evokes the threat of impending Apocalypse.
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