Abstract
Von Balthasar's attacks on Rahner are scattered over several works. Sometimes their expression is very technical, and complex personal factors also play a part. But von Balthasar expresses his concerns vividly and concisely in a bitterly satirical dialogue near the end of a polemical text which he published just after Vatican II: The Moment of Christian Witness.’ A ‘well-disposed commissar', a figure symbolising the culture of modernity both in its easy secularism and its nightmare terrors, arraigns a Rahnerian Christian. In less than three full pages, Raimer's theology is made to look ridiculous. For Rahner, God always transcends objects in space and time: we know God only in and through them, as their permanently mysterious, elusive ground.
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