Abstract
The goal of this case study was to measure and describe differences between vocal vibrato and essential tremor of the voice in one individual who exhibited both types of modulation. Recordings of spoken and sung vowels produced by the same individual at three effort levels were examined via analysis of acoustic and laryngeal electromyographic (LEMG) signals. Modulation rate, periodicity, and spectral measures of both audio and muscle activation signals revealed generally slower, more prominent, and more regular patterns in sung than in spoken conditions. There was not always a clear correspondence between LEMG and acoustic measures, but both showed differences between the vibrato and tremor of this individual, suggesting differences in the neural bases of these modulations.
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