Abstract
Pop singers frequently use breathy voice to express diverse emotion. Such method is the major factor that divides vocalization in pop and classical music. Using breathy voice too much for a long time could make singer short-winded, which might cause the voice injured. In order to prevent the problem, singers need to find resonance balance between high notes and low notes and among vowels. Moreover, they should take more attention when producing resonance in consonants with much air flow. Along with finding resonance balance, if skilled at controlling the volume of voice, singers can use the breathy voice selectively at the desired part, adjusting close quotient freely. Through this kind of approach, pop singers can develope their unique style of vocalization and avoid the vocal damage. Key words: Breathy voice ã Breathy phonation ã Close quotient ã Pop Singing ã Hypo-functional voice íµì¬ì©ì´: 기ìì ã 기ìì±ë°ì± ã ì±ëì ì´ë¥ ã ì¤ì©ìì ê°ì°½ ã ê³¼ì기ë¥ì ë°ì±
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