Abstract
Abstract Hurricane forecasts are often communicated through visualizations depicting the possible future track of the storm. The cone of uncertainty (COU) is a commonly used visualization, but the graphic is prone to misinterpretation such as thinking only locations contained within the cone’s boundary are at risk. In this study, we investigated the utility of conveying hurricane forecast tracks using a set of animated icons, each representing an instance of a possible storm path. We refer to this new visualization as animated risk trajectories (ARTs). We measured nonexperts’ perception of risk when viewing simplified, hypothetical hurricane forecasts presented as ARTs or COUs. To measure perception of risk for each visualization type, we designed experiments to have participants make decisions to evacuate individual towns at varying distances from the most likely forecast path of a storm. The ARTs led to greater risk perception in areas that fell beyond the cone’s boundaries. Nonexperts’ interpretation of risk was impacted by the visual properties of the ARTs, such as the distribution of the icons, including their density, and whether the distribution was unimodal or bimodal. This supports the suggestion that ARTs can have value in communicating spatial–temporal uncertainty. Significance Statement Because of the inherent uncertainties in weather forecasts and emergency management planning, communicating hurricane risk to the public is a unique challenge for decision-makers. Our study investigated the effect of conveying uncertainty in hurricane forecast tracks using a distribution of animated icons [animated risk trajectories (ARTs)], which correspond to potential hurricane tracks that evolve over time. This visualization was compared with a simplified cone-of-uncertainty graphic, such as those used by the National Hurricane Center. We found that ARTs offered flexibility in conveying information about hurricane risk, such as the magnitude of the risk via the number of icons and the location of the risk via the distribution of icons.
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