Abstract
Visibly Modern Madrid: Mesonero, Visual Culture and the Apparatus of Urban Reform-- Rebecca Haidt, Ohio State University *Thresholds of Visibility at the Borders of Madrid: Mesonero and Gmez de la Serna--Andrew Bush, * Observing the City, Mediating the City: Political Urbanism in Barcelona's Mirador (1929-32)--Robert A. Davidson, University of Toronto * Death, Madness and Nation-Formation in Spanish Historical Paintings of the Late Nineteenth Century--Jo Labanyi, University of Southampton * Seeing the Dead: Manual and Mechanical Specters in Modern Spain--Brad Epps, Harvard University * Santiago Rusiol's Impresiones de arte in the Age of Tourism: Seeing Andalusia after Seeing Paris--Elena Cueto Asn, Bowdoin College * Joan Mir and Mass Culture--Flix Fans, Universitat Autnoma of Barcelona * From Engraving to Photo: A Discussion of Transitional Technologies in the Age of Mechanical Reproduction--Lou Charnon-Deutsch, State University of New York, Stony Brook * Landscape in the Photography of Spain--Lee Fontanella, Worcester Polytechnic Institute * Isidora at the Museum: The Training of the Modern Gaze in Early Twentieth-Century Madrid--Luis Fernndez Cifuentes, Harvard University The Evolution of the Cultural Meanings and Uses of Spain's Regional Dress--Jesusa Vega, Autonomous University of Madrid * Foresight, Blindness or Illusion? Women and Citizenship in the Second Series of Galds's Episodios nacionales--David George, Bates College * Madrid on Screen: Modern Modes of Seeing in Pern and Palacios' Cinematgrafo Nacional--Susan Larson, University of Kentucky * Coloring Space and Time: The Spectacle of Race in Spanish Silent Film--Eva Woods, Vassar College * Modern Anxiety and Documentary Cinema in Republican Spain --Geoffrey B. Pingree, Oberlin College * The Last Look from the Border--Joan Ramon Resina, Cornell University
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