Abstract
The Garden, a drama documentary, visualizes a cultural trend toward the resistive re-articulation of mythic assumptions about the morality of farming within a nation of predominantly urban citizens. The tale unfolds as the virtuous main character (the South Central Farmers) struggles against villains threatening the mythology of agrarianism. By invoking the myth of a new agrarianism, the film is able to expose the ethnic, raced, classed, and gendered basis of land-use rhetoric, and how it perpetuates unequal access to dominant myths as empowerment resources.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
