Visualising truth-telling through Indigenous community-specific vernacular photography in Canada and Australia

Abstract

The emphasis in Indigenous photographic scholarship has largely been on Indigenous subjects viewed through a colonial lens. It is often assumed that impoverished communities did not have cameras or photographic archives, given the vulnerability and mobility of their lives. However, cameras, although scarce, were present. This is demonstrated in the photographic legacies of Ngarrindjeri families in south-eastern Australia and Qu’Appelle Valley Métis families in Saskatchewan, Canada, investigated in this article. Both groups share similar histories in marginalised settings – ‘one mile camps’ in Australia and ‘Road Allowance’ communities in Canada. The archives created by generations of Indigenous photographers are both familiar and unique. They depict smiling groups posed in front of cars and homes, although the backdrops are very different to the middle-class and suburban settings typical of vernacular photography more widely. Photographic archives in these communities are comparatively sparse, and thus more precious. Importantly, we see the matriarchs who anchored large, extended families, and evidence of their Indegenous knowledges and the survival skills that provided for them. Working with these photographs in deep engagement with communities and their long-held knowledge reanimates these images in contemporary contexts to facilitate the reclaiming of land, connection and family. We argue that such images represent unparalleled forms of truth-telling, offering a nuanced visual history unavailable from other sources.