Visualising Order: Photography and the Production of the Colonial Police in India

Abstract

Stationed in cities, towns and villages across the Indian subcontinent, the colonial police were a ubiquitous presence under the British Raj. Visuality was central to the policing project; the police’s effectiveness was predicated on colonial subjects’ recognition of police authority. Photographs of policepersons and police buildings, appearing in manuals, histories and memoirs, private albums, imperial educational propaganda and on postcards, testify to the pervasiveness of the policing institution within the colonial landscape and the institution’s commitment to visuality. The sheer volume of these photographs invites consideration. While existing scholarship on the colonial police and photography has largely focused on how the police harnessed the medium in their efforts to visualise colonial criminals, this article considers photography as a means of producing the police to make legible the imperial social order. Various photographs of policepersons and police buildings – mundane and propagandistic images when considered within the broader history of colonial Indian photography – index imperial interactions, revealing the visual language the police relied on to assert their authority.