Abstract
Digital photography has impacted the visual truth in terms of image operation technology. The paper analyzes the performance of image manipulation in digital photography, and asserts that the operation image’s resolution of visual truth can be described by three aspects: the fact deviation, the reconstruction of the situation, the trust crisis, the filter survival, the second reprint, and the value change. Consequently, there are three visual ethical problems associated with the manipulation of images by technology, the siege of images on people, and distortions of social order caused by the manipulation of images by technology. Thus, it is suggested that visual ethics be reconstructed from three perspectives: reconstructing the dominant role of human beings in the digital era, returning to the original significance of visual images, and constructing multiple visual structures.
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