Abstract
Between 1519 and 1522, the Cathedral of Seville redesigned and finished its Northern and Eastern facades: the “old” Forgiveness gateway, and those of the Epiphany and the Entry into Jerusalem, with relief sculptures by Miguel Perrin. The present research focuses on the functional and liturgical purposes of all three gateways, it studies their messages and artistic sources, and offers new information on their design and the terracotta techniques employed.
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