Abstract
The post-communist transformation in Eastern Europe was marked by visual changes through iconoclastic actions and attempts to erase the visibility of the former communist system that was synonymous with the influence of the Soviet Union. Images of the removal and destruction of monuments have found their way into collective memory through their circulation in mass media, textbooks, films, exhibitions, and museums. This article explores the visual representation of “the Russian”1 in various European memory cultures in combination with the visual remembrance of the transformation that started in 1989. It aims to examine how images published in quality mass media in 2009 depict public memory twenty years later.
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