VISUAL MOTIFS OF AMAMZADHHAYTHE CITY OFDAMAVAND IN TEHRAN BASED ON THEMATIC DIVISION. CASE STUDY: AMAMZADGANABDOLAH AND OBAIDOLAH (AS)

Abstract

Arts used in the Holy is one of the most striking aspects of Islamic culture and spiritual atmosphere in illustrative display The method of research is based on descriptive and analytical nature and methods of data collection is used in combination (library and field). The study population is 39 Shrine scope of Awqaf administered city of Damavand in Tehran province. In the form of non-random sampling (optional) and 4 samples of the designs AmamzadganAbdolah and Obaidolah (as) Damavand and analysis of information is qualitative and quantitative. In this study, we examined the basic Articles of motifs Then, for example Shrine ofAmamzadganAbdolah and Obaidolah (AS) was introduced and designs and other features are given in the table and 4motifs was analyzedin symbolism. Distribution of relief are presented on the basis of division within Amamzadhhay ofthis city in tables and graphs . Discover the meaning of the motifsis necessary and requires a deep study about it. Due to the symbolism and motifs continuity during different historical periods was of the features and Islamic Iranian art forever. This paper attempts to Consider the characteristic image motifs, designs and examine the roots of the ideological and symbolic meanings.The results of this study show that the plant designs is the highest motifs in frequency distribution tables and charts in Amamzadhhay city of Damavand.