Abstract

The present study investigated the influence of an auditory tone on the localization of visual objects in the stream/bounce display (SBD). In this display, two identical visual objects move toward each other, overlap, and then return to their original positions. These objects can be perceived as either streaming through or bouncing off each other. In this study, the closest distance between object centers on opposing trajectories and tone presentation timing (none, 0 ms, ± 90 ms, and ± 390 ms relative to the instant for the closest distance) were manipulated. Observers were asked to judge whether the two objects overlapped with each other and whether the objects appeared to stream through, bounce off each other, or reverse their direction of motion. A tone presented at or around the instant of the objects’ closest distance biased judgments toward “non-overlapping,” and observers overestimated the physical distance between objects. A similar bias toward direction change judgments (bounce and reverse, not stream judgments) was also observed, which was always stronger than the non-overlapping bias. Thus, these two types of judgments were not always identical. Moreover, another experiment showed that it was unlikely that this observed mislocalization could be explained by other previously known mislocalization phenomena (i.e., representational momentum, the Fröhlich effect, and a turn-point shift). These findings indicate a new example of crossmodal mislocalization, which can be obtained without temporal offsets between audiovisual stimuli. The mislocalization effect is also specific to a more complex stimulus configuration of objects on opposing trajectories, with a tone that is presented simultaneously. The present study promotes an understanding of relatively complex audiovisual interactions beyond simple one-to-one audiovisual stimuli used in previous studies.

Highlights

  • The perceptual system estimates spatial positions, relationships, and trajectories of moving objects to understand causal relations [1], social interactions [2], and situations with obscured object locations

  • The present study investigated the influence of an auditory tone on the localization of visual objects in the stream/bounce display (SBD)

  • The present study examined the influence of an auditory tone on the localization of visual objects embedded in the SBD

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Summary

Introduction

The perceptual system estimates spatial positions, relationships, and trajectories of moving objects to understand causal relations [1], social interactions [2], and situations with obscured object locations. A representative example is the spatial ventriloquism effect [4] For this effect, the location of auditory stimuli (e.g., the ventriloquist’s speech without lip movements) is mislocalized toward the location of the visual stimulus that is presented simultaneously with the auditory one (e.g., the puppet’s lip movements). An auditory tone presented before or after a visual flash can draw the perceived timing of the flash towards that of the auditory stimulus This phenomenon is known as “temporal ventriloquism.”. In previous studies [5, 6], temporal ventriloquism has an effect on the performance of a visuospatial task in which observers judge the spatial position of a flash relative to that of a moving object (e.g., flash-lag effect paradigm). Visual mislocalization by an auditory stimulus is apparently inconsistent with visual dominance in the spatial domain, these studies [5,6,7,8,9] suggested that the auditory modulation of visual localization needs an auditory stimulus to attract the timing of a visual stimulus toward the auditory one

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