Visual Design in Korean Disaster Films: A Case Study of The Flu and Train to Busan

Abstract

Disaster films, a captivating genre within the ever-evolving world of cinema, wield a global impact through their unique narratives and emotional resonance. Korean disaster cinema has garnered special attention for its distinctive visual aesthetics and emotional depth, earning acclaim both domestically and on the international stage. Hollywood boasts a rich tradition of disaster films, marked by advanced technology and a mature production system, attracting a vast global audience. In an era of economic globalization, disaster films hold substantial market potential. Two controversial but widely praised Korean disaster films, Train to Busan and The Flu, have left an indelible mark worldwide. Through their taut narratives and stunning visuals, these films immerse viewers in worlds of chaos and crisis. This paper delves into these films, analyzing their visual storytelling techniques, thematic exploration of disasters, and engagement with societal issues. By scrutinizing elements such as imagery, color palettes, camera angles, and special effects, we uncover how these films engross audiences in tension-laden narratives, prompting profound contemplation of human nature and societal complexities.