Abstract

Published to accompany an exhibition which moved from the Deutsche Guggenheim Berlin to the Guggenheim Museum, New York, in February 1998, this is a study of a series of paintings and drawings of Paris between 1909 and 1914 which established Robert Delaunay as a major artist. Delaunay developed a new aesthetic of abstraction in his pursuit of pure by synthesizing the Impressionist tradition of series painting and the contemporary language of Cubism. His paintings of the church of Saint-Severin, the Eiffel Tower, and window views of Paris, celebrate the rhythms and locales of an urban milieu. The book includes a selection of writings by the artist as well as poems (by Guillaume Apollinaire, Blaise Cendrars, Louis Aragon and Vincente Huidobro) that were inspired by Delaunay's art.

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