Abstract
This brief essay is excerpted from my State of the Profession plenary presentation, delivered at the American Society for Theatre Research conference on October 28, 2021. Patrick Anderson and I reference this presentation in our essay, "Is This Ballroom a Bathhouse? The Promise and Peril of Coming Together," which also appears in this issue of the journal. I offer it here to expand upon our discussion on how Abdoh's politics and aesthetics are relevant to our current set of cultural crises. In the full version, I combined my analysis of Reza Abdoh with consideration of how decolonial theory by Leanne Betasamosake Simpson might offer transformative possibilities for university culture; these possibilities are touched upon at the end of this excerpt.
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