Abstract
Abstract The Romanian-born European writer Vintilă Horia - whose birth centenary is celebrated this year - was a genuine searcher of truth. His entire work pleads for transgressive-integrating knowledge, in opposition to binary logic and scientism; it is the privileged space of articulation between cognition, creation and gnosis, between the apophatism of science, mystic apofatism and artistic apofatism. Although much less known than the trilogy of exile - Dieu est né en exil (1960), Le chevalier de la résignation (1961) and ¡Perseguid a Boecio! (1983) - the small-sized novel Le voyage à San Marcos (1972) acts as an exemplary attestation to this pompous conjunction. The current article focuses especially on the text’s trans-temporal valence
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