Abstract

János Milán Horváth has already published a study on the ’legacy of rippl-rónai already existing by the time of his death’ in the 1992 issue of the publications of the Museums of somogy county. We continue this story. In this work of ours we follow the afterlife of this legacy and finish the review with the years after the death of Baudrion Lazarine, the general heir of the legator. The research has showed us such correlations and events that extended the circle of inspection and enrich our knowledge with brand new data on the faith of the artistic oeu-vre of József rippl-rónai. We present the story of a painting that had gone missing from the “róma Villa” after the painter’s death and later came back to its owner. We also present the documents in connection with the initial era of the Völgyessy collection that became quite significant later on.

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