Abstract
AbstractThe paper deals with the copperplate engraving that stands at the beginning of the main theological treatise of Álvaro de Cienfuegos, bishop of Pécs (Hungary) between 1737 and 1739. The sophisticated work includes also an artistic engraving which is clearly part of the written treatise. The study aims to point out how comprehensively the engraving presents the author's basic intellectual attitude and essential details of the theoretical work. It is a real challenge for the audience of all times: Only in the case of a successful decoding it is possible to feel not only worthy, but also suitable and prepared to read, study and understand the two-volume treatise.
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