Abstract
Shortly after Submission, a film critiquing the treatment of Muslim women, aired on Dutch television, a Muslim fundamentalist murdered the film's producer, Theo van Gogh. While the murder brought Islamic extremism worldwide attention, the film itself escaped critical scrutiny. Analyzing the depictions of Muslim women in Submission, this essay discusses the intricacies of Muslim women's struggle. Surrounded by the oppressive discourses of Islam and patriarchy on one hand, and of the “global sisterhood” and Orientalism on the other, Muslim women today labor to achieve equality both with Muslim men and Western women.
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