Abstract

The eighteenth century was an age of miscellanies; thousands of miscellaneous collections containing verse appeared in print over the course of the century. This article considers miscellanies as a distinct kind of verse collection; whereas anthologies promote authorship as a category of literary definition, miscellanies invite readers to sample a variety of poetic forms and genres and often include poems without authorial attribution. The eighteenth-century tradition of miscellanies devoted exclusively to poetry has its roots in the late seventeenth century, and many aspects of seventeenth-century miscellany culture persisted well into the next century. This article looks at a number of ways in which verse miscellanies offer fresh perspectives on eighteenth-century literary culture. The popularity and reception of particular poems and poets, the formation of the English literary canon, and the status of authorship are all areas in which miscellanies make a significant contribution to critical understanding.

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