Abstract
In this article, curator Evelien Bracke and writer Christophe van Gerrewey compare the methods and themes from the most recent works of art by Ellen Schroven and the main thoughts present in “Noms de pays: le nom”, a chapter from Marcel Proust’s novel À la recherche du temps perdu (1922). This comparison is centralized around the relationship between words, objects, and locations, and how this relationship can evolve throughout time.
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