Abstract

Abstract The verbal and visual arts in Africa are interdependent, supporting each other through mutual references and allusions. Both have a distinct, albeit intertwined, position in traditional Yoruba thought as illustrated by Ori-Inu (literally ‘inner head’). My exploration of the dynamic relationship between the visual and verbal components in Ori-Inu is founded on three propositions. The first is that verbal and visual metaphors appear to share a common mythical origin, and fulfil similar artistic functions even though their modes and manifestation may be different. Second, it can be argued that, in at least one role, as transformer-carrier functioning between the spiritual and material planes of existence, both the visual and verbal arts provide valuable insights into the Yoruba metaphysical system, myths, lore and complex traditional religious thought and notions; and these affect and relate to the physical realm. Finally, it would be difficult to understand Yoruba art without familiarity with Yorub...

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