Venezuela’s Mixed-Race People and the Jew: Spectrums of Whiteness in Rufino Blanco Fombona’s Judas Capitolino and Rómulo Gallegos’s “Los inmigrantes”

Abstract

The work of Rufino Blanco Fombona (1874–1944) and Rómulo Gallegos (1884–1969) is generally understood as reinforcing the then-common Venezuelan representation of race as biological and binary – as separable into either “white” or “non-white”, with the latter category including all mixed-race people who made up 60% of Venezuela’s total population at the time. These authors’ narratives attempt to reinforce these binaries by racially classifying Jewish immigrants at the beginning of the twentieth century – by understanding where they fit within this racial taxonomy. Instead, as I show, these attempts destabilise the categories themselves, leaning first on biological determinism, and then on cultural and ethnic profiling. To make this argument, I analyze Blanco Fombona’s Judas Capitolino (1912) contextualised by his writings on race outside of his fiction, alongside Gallegos’s short-story “Los inmigrantes” (1922). These works take biologically deterministic positions on race in their caricatures of Jews and mixed-race individuals, demonstrating the inability of Jewish immigration to whiten what Gallegos denotes as the “raza autóctona”, the Venezuelan mixed-race individual that he believes to be barbaric and impure. Without the correct shade of whiteness to lighten Venezuela’s mixed-race majority, the “raza autóctona” will take over positions of power, becoming a ruling “barbarocracia”, threatening the white order and dooming Venezuela’s (white) future.