Varying Discourse and Use of Intangible Cultural Heritage in Shaanxi Huaxian Shadow Puppets

Abstract

Intangible cultural heritage (ICH) as an administrative category has been used in Chinese official discourse since the early twenty-first century. It tends to standardise in a systemic vision what practices should or should not be included in the updated definition of Chinese tradition. The role played by the central government is of utter importance, drawing on China’s administrative and legal framework. However, local dynamics and reasoning sometimes occur off the beaten track. Shadow puppet troupes are a good example of a long tradition all over China that almost disappeared during the Maoist era, but which was resurrected during the 1980s, and is now listed internationally as a form of ICH. In Hua County (Huaxian), Shaanxi Province, one of the practitioners discussed in this article belongs to a family renowned for its puppets, and he has participated in the revival of shadow puppet performances. The second case examined here is of a troupe performing in the Yongxing Fang tourist area in Xi’an. The leader of the troupe is registered on the list of heritage transmitters at the provincial level. The discourse and practice of these two troupes exemplify different attitudes towards official recognition. Analysing the Huaxian shadow puppets, I will try to find out if ICH is only a new label stuck on an older tradition or if it has a deeper influence on the survival of living traditions.