Varnish technology during the 16th–18th century: The use of pumice and bone ash as solid driers

Abstract

Abstract The historical varnish technology is of interest to various fields in cultural heritage. To understand the material properties of these historic surface coatings it is important to get insight in the technological background, i.e. the relationship between the material and the processing method. This study has specifically focused on the use of pumice stone and bone ash often mentioned in historical sources as driers for oil-based coating systems. For this purpose lute and Italian violins from the period between the 16th to the mid 18th century were examined. Both, the main organic composition of the varnish and the addition of mineral additives were considered. Based on the analytical data and the corresponding information from historical written sources, the siccativation of oil-based varnishes with pumice stone and bone ash was simulated experimentally. The results of these reconstructions confirm that the technological know-how behind these varnishes is far more complex than it may appear at first glance and that the organic and inorganic components must be regarded as a balanced technological system where each of the various components has a specific function. In this context, these inorganic additives effectively induced accelerated drying, improved the mechanical film properties of young films and showed a stabilizing effect on the long-term degradation during aging.