Abstract
AbstractThis paper looks at dialogicity in the Slow Art Day blog and focuses on the way the representation of participants encodes the complexity of the communicative action through a polyphony of textual voices. By focusing on posts from the pandemic years (2020 and 2021), and contrasting them with the previous period, we carry out a collocation analysis and a study of semantic preferences (Sinclair 2004) to explore how writers present themselves and how they interact with the reader and other textual voices in a context of cultural intermediation. By looking at forms of address and of self-mention, we trace how this blog enacts different forms of dialogic action with its readers and stakeholders in the extended situational context.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
