Abstract
In 1895, an elderly, tired, and creatively challenged Samuel Clemens embarked upon a worldwide lecture tour whose primary purpose was to retire the debt which had driven him into bankruptcy. His personal woes were largely ignored by enthusiastic New Zealand audiences, which packed the halls and reveled in Clemens as Mark Twain. Some of Twain's novels preceded him, but his success in New Zealand owed more to his stage presence than to his literary prowess. This essay shows how Clemens performed Mark Twain to bridge cultural gaps halfway around the globe. In doing so, it highlights reading differences in English-speaking lands and between social classes. It also casts light on Twain's underappreciated skill in live performance, shows him as a flexible figure responding to particular audiences, and underscores the ways in which aspects of his stage show anticipate the shift to a celebrity-based culture.
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