Abstract
This article considers the extent to which modern Scottish island poetry constructs a utopian landscape. The relative isolation of islands makes them suited to utopian narratives: poetry about the remote St Kilda can both highlight and subvert its utopian potential as a model of a pre-modern ecological society. I discuss how these themes emerge in St Kilda poems by Douglas Dunn and Robin Robertson. I then situate the contemporary Shetland of Jen Hadfield’s poetry in relation to the notion that Scottish islands retain elements of a pastoral ‘Golden Age’, as is suggested by the tourism industry. Finally, I discuss how debates within ecocriticism about the significance of place and the interconnections facilitated by globalisation can be informed by Robert Alan Jamieson’s non-insular Shetlandic poetry, which is written in local dialect but retains an unapologetically global perspective.
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