Abstract

With my background in architecture, my approach to better understanding public space is to use a process of exploration, observation and drawing on location, or as it’s called in some forums as “urban sketching”. With observation I try to understand the elements of the built environment which contribute to the vitality of a city. My drawings become comments on either the political landscape or social context of a particular place. Before I start the drawing process, I explore, observe, and talk to local people, gathering information on the layers complexity that exist in order to better understand place. This observational approach forms a framework to work within and enables me to begin the process of making an interpretation, through drawing, of a place. A key aim of this approach is to distill what I see into a simple form. Whether it be a large expansive wall drawing, or a small scale drawing in a sketch book, my artwork has the aspirational aim to provoke a wider discussion about our cities, public spaces, and the built environment. It also tries to look at how people use these spaces, and document what’s important to a “soul” of a place and how this approach resonates with its characteristics. Using drawing as a tool to highlight a message has enabled me to express ideas on how public space can be improved and enhanced from a social, political and experiential point of view.

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