Abstract

Data science can offer answers to a wide range of social science questions. Here we turn attention to the portrayal of women in movies, an industry that has a significant influence on society, impacting such aspects of life as self-esteem and career choice. To this end, we fused data from the online movie database IMDb with a dataset of movie dialogue subtitles to create the largest available corpus of movie social networks (15,540 networks). Analyzing this data, we investigated gender bias in on-screen female characters over the past century. We find a trend of improvement in all aspects of women‘s roles in movies, including a constant rise in the centrality of female characters. There has also been an increase in the number of movies that pass the well-known Bechdel test, a popular—albeit flawed—measure of women in fiction. Here we propose a new and better alternative to this test for evaluating female roles in movies. Our study introduces fresh data, an open-code framework, and novel techniques that present new opportunities in the research and analysis of movies.

Highlights

  • The film industry is one of the strongest branches of the media, reaching billions of viewers worldwide (MPAA, 2018; UNIC, 2017)

  • We achieved this goal by utilizing movie subtitles3 and a list of movie character names

  • We found that only 12% of all movies passed our Gender Ratio test, revealing how dominant gender disparities continue to be in the film industry

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Summary

Introduction

The film industry is one of the strongest branches of the media, reaching billions of viewers worldwide (MPAA, 2018; UNIC, 2017). It is well known that movie directors are primarily white and male (Smith et al, 2017). With such a gender bias, it is not surprising that there is a male gender dominance in movies (Smith and Choueiti, 2010; Ramakrishna et al, 2017). Studies from the past two decades have confirmed that women in the film industry are both underrepresented (University, 2017; Lauzen, 2018b) and portrayed stereotypically (Wood, 1994). A recent study found that the underrepresentation is so sizeable that there are twice as many male speaking characters as female in the average movie (Lauzen, 2018a)

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