Abstract

In this paper, we discuss how documentaries were used for the promotion of industrial production in socialist Albania and Yugoslavia through a discussion of two short non-fiction films, Në turnet e natës/The Night Shift (1970, Albania) and 25 Godina. Jugoplastika/25th Anniversary of Jugoplastika (1977, Yugoslavia). The discourse of Albanian and Yugoslavian socialist ideologies of modernisation and industrial production, and the notion of everyday socialism are constructed and visible in the films’ representational strategies. The analysis of the two previously overlooked archival films along with the press, and non-film materials and documents from film and state archives allow us to compare and contrast the similarities and differences of Albanian and Yugoslav socialist ideologies toward industrial production, labour and gender relations. In doing so, we aim to better understand the complexities of the state socialist discourse vis-à-vis Western capitalism and consumerist ethics during the Cold War period.

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