Abstract

Medieval fortresses represent an important tangible heritage of a nation’s culture and a valuable development asset for a particular destination on which its place-branding strategy for tourism could be built upon. Traditionally in Serbia, heritage protection and conservation have been mainly concentrated on the tangible aspects of cultural sites and monuments. Nevertheless, with the advent of urban heritage integration in the local sustainable development processes and place-branding strategies, a greater appreciation of the spirit of the place and its intangible components, as well as the need to adapt it to local contexts with more participatory forms of heritage planning, have started to emerge. A wide range of stakeholders brought the involvement and participation of both the local government and community members, including residents, as an indispensable element of the protection actions and broader urban development policies. The paper aims to validate the correlation between both intangible and tangible cultural heritage and its contemporary use for place branding and tourism development. In doing so, we have employed the case study method on the two fortresses on the Danube in Serbia to show the ways in which local stakeholders have mobilized their forces in cooperation with the university to use their cultural heritage assets for tourism and more extensive sustainable territorial development. We have found that despite new inclusive forms of governance, which is attracting the attention of planning and heritage practitioners in Serbia, the contemporary approach of integrative protection and the intangible aspects of cultural heritage are still not fully utilized. For this reason, in this study, we consider methods based on environmental aesthetics approaches to cultural heritage that point out the significant inclusion of immaterial intangible cultural heritage in an unbreakable bond with material tangible heritage. The most remarkable result of our research is that while a vast number of stakeholders with local knowledge and sense of the spirit of the place have been involved in the planning process, intangible aspects of the analyzed heritage cases are present in educational projects, and are only partially present if it comes to implementation. This clearly demonstrates that the focus on tangible aspects and spatial interventions of the place branding of cultural heritage is still dominant in Serbia, despite acknowledgment of the economic and social aspects of sustainability in the planning phase in educational projects.

Highlights

  • Cultural heritage is the cornerstone of local, regional, national, and European identity [1]

  • This paper presents how the cultural potentials of the Smederevo and Golubac fortresses and intangible heritage in their respective territories were used for the creation of place-branding strategies and urban design projects exercised through the educational projects in cooperation between the University of Belgrade—Faculty of Architecture and local governments in Serbia

  • The paper presents the potential of the Smederevo and Golubac fortresses’ heritage combined with the analyzed intangible cultural heritage to become instruments for the creation of effective place-branding tourism and planning strategies and urban design projects exercised through the educational projects

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Summary

Introduction

Cultural heritage is the cornerstone of local, regional, national, and European identity [1] It is a common value and a shared asset that is an integral part of the cultural sector and a significant element and incentive for the development of tourism and other industries. Cultural reality represents a dynamic set of living and active processes, whereby it comprises tangible and intangible heritage to be considered as a whole. In this sense, cultural heritage does represent tangible monuments and collections of objects, and the intangible traditions and living expressions inherited from our ancestors. Intangible cultural heritage relates to the practices, representations, expressions, knowledge, and skills—as well as the instruments, objects, artifacts, and cultural spaces associated therewith—that communities, groups, and in some cases individuals recognize as part of their cultural heritage [2]

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