Abstract
Using a typology of urban symbolism, the identity of Belgrade is reconstructed on the basis of accounts by a sample of city residents, foreigners and locals, who work in international companies and organizations. The component of behavioral symbolism is found to prevail, referring to the place?s atmosphere, mood, spirit, or energy. Next comes material symbolism, particularly in relation to Belgrade?s location at the confluence of two rivers, and the Kalemegdan complex overlooking it. All other types of symbolism are much less prominent. Belgrade is described as having a comparatively low global visibility and lacking a readily recognizable landmark. What emerges as a pervasive motif in the different symbolic codes is the attribute of contradiction, and the related qualities of hybridity, liminality, and incompleteness.
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