Abstract
Abstract This article develops an ecocritical perspective on the ways Nordic film and television has addressed ethnic and racial diversity. Here we develop the term ‘ecotone’, a concept originating in environmental studies that characterizes the transitional space linking separate ecological communities. Focusing on the popular noir series Bron/Broen (The Bridge) (2011–18), Hannes Holm’s Swedish comedy En man som heter Ove (A Man Called Ove) (2015), the Norwegian teen drama Skam (Shame) (2015–17) and Ruben Östlund’s controversial film Play (2011), we claim that the ecotone, when adopted as a form of mediated intervention, allows us to interrogate the taken-for-granted ideological foundations of Nordic societies. This involves unpacking the representations of material culture and spatial interconnectedness that define immigrant Others in relation to their environment.
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