Unsilencing the Haitian Revolution: C. L. R. James and The Black Jacobins

Abstract

ABSTRACT Exploring the genesis, transformation and afterlives of The Black Jacobins, this article follows the revision trail of James’s evolving interest in Toussaint Louverture. How does James “show” as drama versus “tell” as history? Building on Michel-Rolph Trouillot’s idea of “silencing the past,” this article argues that James engages in an equally active and transitive reverse process of unsilencing the past. James’s own unsilencing of certain negative representations of the Haitian Revolution is evaluated, as is James’s move away from presenting the colonized as passive objects, instead turning them instead into active subjects. James should be recognized as a precursor to “history from below.” It uncovers James’s “writing in” of more popular leaders, masses and Haitian crowd scenes, of whom there is little archival trace. James’s own making of The Black Jacobins over nearly sixty years is linked to the process of rasanblaj (re-assembly, gathering) and the search for Caribbean identity.