Abstract
Unsettling Sound examined the at once destabilizing and liberatory experiential dimensions of sounding through three dialogue-events, opening up possible meanings, sensations, ideological and bodily potentialities of the sonic, and the sonic potentialities of bodies. This series of conversations, co-devised by Sara Jane Bailes and Arabella Stanger, took place remotely and online. Here, traces of the events are gathered into print. Alexandrina Hemsley reflects on their exchange with Seke Chimutengwende and Xana in the midst of creating an audio version of the stage show, Black Holes (2018). Rajni Shah and Royona Mitra share voice letters on the impossibilities of anti-racist institutions and dreaming new worlds. Jeremy Toussaint-Baptiste shares a new conceptual score, Étude for Not Knowing #1 (2021).
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