Abstract
The fashion press, and women’s magazines in general, are presumed to be spaces of political neutrality preoccupied with the trivialities of domesticity. Yet it is these very spaces that more easily evade political scrutiny that are often most powerful in reaching a broad audience on matters of politics and social change. This article explores how two Berlin and Paris fashion periodicals participated in the international dialogue on gender, nation-building, patriotism, and consumerism during a critical time between these two nations, namely during the Franco-Prussian war (July 1870 - May1871). A look at images and texts published in the Berlin-based Der Bazar and the Paris-based La Mode Illustrée during this critical time period in their shared history reveals how the fashion press contributed in complex and meaningful ways to an evolving understanding of Self, nationhood, gender, and the public versus private in nineteenth-century Europe.
Highlights
The fashion press, and women’s magazines in general, may appear to be spaces of political neutrality preoccupied with the supposed trivialities of domesticity, yet a closer reading reveals that women’s publications often serve as a platform for social critique and political engagement
My article explores how the Berlin and Paris illustrated fashion press participated in the international dialogue on gender, nation-building, patriotism, and consumerism during the Franco-Prussian war (1869–70)
I offer the context necessary to understand the impact of the two journals before focusing on the representations of gender and nationhood depicted in select issues of Der Bazar and La Mode illustrée during the Franco-Prussian war
Summary
To cite this article: Ruxandra Looft, ‘Unseen Political Spaces: Gender and Nationhood in the Berlin and Paris Fashion Press during the Franco-Prussian War’, Journal of European Periodical Studies, 2.2 (Winter 2017), 44–60
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