Abstract
The author focuses attention on the contextual and stylistic features of unpublished poems of Halyna Hordasevych written within the period of 19601970 years of the 20 th century. These poems are compared with the poems published by the poetess within the same period in Kyiv and Moscow. On the basis of the analysis of the biographic material the interrelation of the poetess’s destiny and the specificity of totalitarian system reflection in her verses have been analyzed. The author shows the peculiarities of relations of the authors and authorities, describes current behavioral models of the creative intellectuals in the totalitarian epoch allowing artists and poets to physically survive being persecuted by the official authorities. The phenomenon of “hidden” creativity as the tool of spiritual preservation of creative personality has been analyzed. The analysis of the specificity of folklore elements inclusion to the poetic texts of the poetess has been performed.
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