Abstract

This paper describes a case study exploring how critical design and public exhibition could be consolidated into an inclusive qualitative creative research method to engage participants in conversations about community. Past literature has acknowledged the ability of physical objects and creative methods in research to activate different lines of thinking and elicit thoughtful, in-depth responses from participants that may not have arisen through more ‘traditional’ methods of enquiry. Critical design, by nature, is intended to be a tool for starting discussion and debate. We employed this approach to inform the design of critical artefacts on the topic of community. These were then displayed at pop-up exhibitions in public spaces to engage members of the public in conversations on community. Responses informed future artefacts, which were exhibited again in an iterative cycle. We explored the potential of this research approach to both elicit and disseminate knowledge.

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