Abstract

The article considers the universal traditional and innovative methods of the architect's work as: hereditary and theoretical-experimental methods of “pre-project analysis” (the method of “conservation” of the object by providing it with an educational function; the method of visual communication object with a person using temporary modular structures); traditional theoretical and practical methods (“stylistic” and “artistic”); innovative theoretical methods – “hermeneutic-semiotic” (“semantic-pragmatic” and “syntactic”), innovative practical method – “hermeneutic-semiotic” (“semionic”). The practical implementation of this method is shown in the examples of experimental conceptual projects for the reconstruction of destroyed and abandoned objects of various scales in Ukraine (city, building fragment, building). Stages of action for the first time reveal the mechanisms of architectural activity of architects based on the implementation of a unique innovative “hermeneutic-semiotic” (“semionic”) method of creativity and the theory of “informative architecture”.

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