Abstract

Stanley Kubrick’s project on the Holocaust, Aryan Papers, was dear to his heart. He worked on it for a long time, but he could not, in the end, bring himself to complete the planned film. This article canvasses some of the reasons other scholars have supplied for this film remaining unmade, including the notion that the Holocaust is unrepresentable. However, it points to a novel explanation. I argue that Kubrick’s plot modifications, particularly to the conclusion, doomed the project. Specifically, Kubrick has a Jewish woman take revenge for war-time atrocities. Discussing revenge in relation to the Holocaust has until recently been as impious as representing the Holocaust itself. Jewish revenge was unfashionable in Holocaust films of all kinds when Kubrick was working on Aryan Papers in the early 1990s. Kubrick’s planned film was generically ahead of its times. The vengeful Jewish woman had to wait for Inglourious Basterds in 2009.

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